Bruno Mars is having a good week.
Taking the Gibson Amphitheater phase on Tuesday night with a smile on his confront and a kick in his step, the versatile pop-soul crooner relished in the apex of his success: the Grammy-winning single "Only the Way You Are," had but been named the longest-reigning debut in Billboard history on Monday, afterward spending its 20th calendar week at No. i on the Adult Gimmicky charts, and he was playing to a packed house for a 2nd sold out nighttime in one of America's virtually saturated entertainment markets. In short, Bruno Mars had fabricated information technology — big time.
You could call it a hometown testify — although Mars was born in Hawaii, he moved to Fifty.A. later high schoolhouse and considers the city his adopted habitation. It certainly felt that way as the crowd, a mix of young and old, guy and girl and one American Idol alum Adam Lambert, quelled whatsoever dubiety every bit to who they had paid to run across on the Hooligans Wondaland bout, which included openersMayer Hawthorne and Janelle Monae. Indeed, they never sat during Mars'southward time onstage.
Another abiding of Mars 60 minutes-long set? The piercing screams of the ladies, who proved that Bruno Mars' brand of love songs take hit their intended mark. And he knows it. The singer often baited the shrieking crowd, teasing at one bespeak that he wanted to take off his shirt, but wouldn't because he didn't have "Conductor'southward body."
All jokes aside, and he always seems to have plenty up his sleeve, the crooner's casual and comfortable stage presence was reflected in both his outfit (his signature Fedora was paired with a plaid flannel-turned-belong layered over a tee shirt and jeans) and a bare-bones stage prepare. Moveable screens projected unlike images and lights, but the main focus was on the singer and his ring, which included a drummer, two guitars, keyboards, a trumpet section and backup vocalist Phillip Lawrence, who's as well a fellow member of Mars' production team The Smeezingtons).
When information technology came to crowd pleasers, Mars obliged with mega-hits from his platinum-selling Doo-Wops & Hooligans anthology, including "Just The Style Y'all Are," during which Mars implored the men in the audience to give their ladies a little extra special attention, "The Lazy Song," and "Grenade," noting that the latter was his favorite on the album. He also sang the hooks to many of his popular collaborations including Travie McCoy's "Billionaire," which was preceded by a contemporary rendition of Barrett Potent'southward "Coin" and B.o.B.'southward "Nothin' on You." A potential quaternary unmarried for Mars? His ode to buddy-dom, the ridiculously tricky "Count On Me."
After returning to the phase for one encore, a mash up of "Somewhere in Brooklyn" (which he inverse to L.A.) and "Talking to the Moon," the house lights came on and Mars' masses filtered out into the cool L.A. nighttime. Exterior of the brusque running time for a ticket costing equally much as $90, all looked more than than satisfied. Even the guys who did aught more than than accompany their girls to the concert couldn't complain when it became clear that Bruno Mars had put all parties in the mood for love. Proficient night, indeed.
SET LIST:
- The Other Side
- Top of the World
- Money (That'due south What I Want)/ Billionaire
- Our First Time
- Runaway Baby
- Y'all Belong to Me
- Marry Yous
- Lazy Song
- Count on Me
- Liquore Shop Dejection
- Nothin' on You
- Grenade
- Just the Mode You Are
Encore: Somewhere in Brooklyn/Talking to the Moon
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